All about me cartoons: Humor, Satire, and Cartoons | The New Yorker
Posted oncartoons by hilary — Blog — Hilary Fitzgerald Campbell
Was thrilled that Martha Stewart’s food delivery service Dinnerly asked me to create cartoons for their box earlier this year. If you are a subscriber, keep your eye out for fun little frozen instructional foods I drew!
tags: martha stewart, dinnerly, cartoons by hilary
categories: Cartoons by Hilary
This past weekend I was hired by PlutoTV to live draw at the White House Correspondents Dinner After Party hosted by the French Ambassador. I spent the evening drawing guests into famous tv scenes from I Love Lucy, Gunsmoke, Jeopardy! and Unsolved Mysteries. Safe to say it was a wild evening. You can read all about it on my Substack!
tags: cartoons, cartoons by hilary, white house correspondents dinner, french ambassador, pluto tv
categories: Cartoons by Hilary
Read my first letter here!
tags: substack, cartoons by hilary, hilary Fitzgerald campbell, the new yorker
categories: Cartoons by Hilary
tags: Murder Book, The New Yorker, true crime, Ann Rule, hilary Fitzgerald campbell, cartoons by hilary, graphic memoir, andrews mcmeel, zodiac, ted bundy, law and order
categories: Cartoons by Hilary
tags: cartoons by hilary, nonfiction comics, spiralbound, comics
categories: Cartoons by Hilary
Read the full story up on Spiralbound!
tags: cartoons by hilary, hilary Fitzgerald campbell, Spiralbound
categories: Cartoons by Hilary
tags: cartoons by hilary, hilary Fitzgerald campbell, barrons, cartoons, gag cartoons
categories: Cartoons by Hilary
Hosted by Michela Ratto and featuring Ginny Leise, Bernie Somers, Rekha Shankar and more, the evening drew out a large crowd of those eager to hear how sad other people are. For each story told live, I drew a live cartoon on stage for the speaker to keep (if they could get their hands on it fast enough).
Held at Ludlow Studios, the evening was sponsored by Bargetto Winery, Chaucer’s Mead and Sixpoint Brewery. Relive the evening and check out the photos from Ian Stroud here. The tour continues tonight in Chicago at Volumes Books Cafe!
BREAKING UP IS HARD TO DO
THE STORYTELLING BOOK TOUR
CHICAGO — 2/7 — VOLUMES BOOKS CAFE
SEATTLE — 2/11 — PUSH/PULL
SAN FRANCISCO 2/14 — NECK OF THE WOODS
LOS ANGELES — 2/17 — WELCOME TO JUNIOR HIGH
Haven’t bought your copy of Breaking Up Is Hard To Do? Get it today in your local bookstore or on Amazon. And as always, make sure to follow @CartoonsbyHilary on Instagram for daily laughs!
tags: book tour, Breaking Up Is Hard To Do, cartoons by hilary, hilary Fitzgerald campbell
categories: Cartoons by Hilary
I was in the front page of my hometown paper The Sonoma Index Tribune to celebrate the release of my first book of cartoons Breaking Up Is Hard To Do, But You Could’ve Done Better.
But really the best part is that that morning I wen to the grocery store and an old family friend stopped me to say congratulations. I thought they were talking about me and the book, but no. They were talking about how my brother got engaged. But hey I’m still single and I’m in the paper! Read the full article by David Templeton here.
Also here is my mom reading the paper:
tags: Breaking Up Is Hard To Do, book tour, cartoons by hilary
categories: Cartoons by Hilary
I am so flippin’ excited to share with you today that I have launched my first line of greeting cards. It’s called Small Talk and it’s for any of you out there who believe in conversation on a tiny platform, also known as snail mail.
There are many many cards for you to pick from and there is going to be many more in 2017! Some of these will be art you’ve seen before, some is brand new stuff, some for saying thank you, some for saying you’re hungover.
Please check out the whole shop here! And hey maybe instead of getting your sister a gift she won’t use this year, give her a card that will make her laugh. It’s cheaper and is guaranteed to last longer in the happy memory bank. This week with code HOLIDAZE16 you can get 5 cards for $20! Offer ends Friday December 16th at 11:59 PM.
And let me just take a moment to freak out over how freaking cool this stamp is. Designed by me, manufactured by Casey’s Stamps in the East Village. If you ever need to get a stamp made, this is the guy to go to. Hand made, beautiful, and and very reasonably priced!
tags: Greeting Cards, Hilary Fitzgerald Campbell, cartoons by hilary
categories: Cartoons by Hilary
Yesterday the first of five animations from myself and Refinery29’s Short Cuts was released! I teamed up with R29 earlier in the year to do a series of videos dealing with daily beauty gripes of the average lady — aka ME.
These will be rolling out through the near year, I hope you enjoy!
tags: animation, refinery29, cartoons, cartoons by hilary, Hilary Fitzgerald Campbell
categories: Films by Hilary, Cartoons by Hilary
A cartoon I was originally commissioned to do by Cup of Jo for Hillary Clinton’s victory was published in GQ alongside many other now deeply sad illustrations. See my cartoon and the full article here.
tags: Hillary Clinton, election, cartoons, cartoons by hilary, Hilary Fitzgerald Campbell, GQ
categories: Cartoons by Hilary
Read the full article here!
tags: cartoons by hilary, female filmmakers, mashable, press, news, Hilary Fitzgerald Campbell, Feminist Fight Club, instagram
categories: Cartoons by Hilary
What a time to be alive! I am so excited that the book I co-illustrated alongside Saskia Keultjes, written by the one and only Jessica Bennett (NY Times columnist, lady extraordinaire), Feminist Fight Club is finally available today.
You can find it in stores, as well as on the glorious Amazon.
This was such an amazing project and I’m honored to be a part of a book I know is going to be groundbreaking not just for women, but people all over the world. It’s hilarious yes, but Bennett also tackles some very serious issues that women continue to face in the workplace, giving us not just anecdotes but real tools to fight the patriarchy.
If you’re dying to know which art in the book is from me, I’ll be posting later today on my Patreon page about my illustrations and where they can be found. Please consider becoming a patron of Cartoons by Hilary today! Just a dollar a month could get you more access to my art.
If you live in New York, please join me at the Feminist Fight Club Induction at the Barnes & Noble on 82nd & Broadway where author Jessica Bennett will be speaking with host Phoebe Robinson. 7PM, free and open to public!
Make sure to «like» Feminist Fight Club on Facebook or follow on Instagram & Twitter to stay up to date with the book and it’s tour around the country.
tags: Feminist Fight Club, feminism, cartoons by hilary, illustrator, Books, Jessica Bennett, HarperWave, HarperCollins, Patreon
categories: Cartoons by Hilary
Check out this month’s issue of Cosmo, see my art, and read this kick ass excerpt from Jessica Bennett’s Feminist Fight Club!
tags: Feminist Fight Club, Jessica Bennett, Cosmopolitan, new books, feminism, lllustrator, freelance, cartoons by hilary, cartoons
categories: Cartoons by Hilary
What a week it’s been! I’m thrilled to announce that I am now a contributor at Huffington Post. You can view my first cartoon «Hillary Every Wednesday» here: http://huff.to/2bfUCF5
And you better believe, there’s plenty more where that came from.
tags: Hillary Clinton, Winesday, Huffington Post, cartoons, cartoons by hilary, freelance, weekly comics, wine
categories: Cartoons by Hilary
Today I’m here to announce that I’ve joined a very cool new crowdsourcing website called Patreon.
Unlike Kickstarter where artists look to fund a sole project, Patreon is a monthly (or 1 time) donation that helps me make cartoons. You can choose any tier of patronage, each one offering a different level of SUPER COOL access and rewards from me, like monthly online wine hang outs, personal letters, printed cartoons, & digital sketchbooks. And if you change your mind, you can cancel at any time!
Basically, Patreon will help me keep going in between illustrating projects. It’s so great that the internet exists and I will always continue to post cartoons for free every day, but without Patreon supporters I’ll have to go back to some other job and have less time to draw cartoons for you (and I love drawing cartoons for you). (Read more reasoning in my first Patreon blog post).
To celebrate my launch, tomorrow night I will be hosting the first Cartoon Wine Social! Normally, you would have to become a patron to participate, but this time around everyone is welcome! Please join me on Thursday, August 11th at 9 PM EST (6 PM PST) to drink wine on ice, talk about cartoons, things my mom said this week, how bad Suicide Squad is, etc.
Those interested should email [email protected].
So if you love Cartoons by Hilary & are intrigued by this, please check out my profile on Patreon and consider becoming a patron today!
tags: Patreon, illustrator, freelance, cartoons, cartoons by hilary, crowdfunding, patron, wine social, backer rewards
categories: Cartoons by Hilary
“It’s all about visibility”: How Bianca Xunise and Steenz make their mark on the comics page
“Heart of the City” cartoon courtesy of Steenz and Andrews McMeel Syndication. “Six Chix” cartoon courtesy of Bianca Xunise and King Features Syndicate.
For many children, their introduction to newspapers comes through the comics page, reading syndicated strips like “Garfield,” “Peanuts,” “Calvin and Hobbes” and “The Far Side.”
Cartoons have long been dominated by white men, but the media niche is slowly inching toward diversity.
Last year, Bianca Xunise and Steenz, who both identify as nonbinary, became the second and third Black femmes — and the first in recent decades — to draw nationally syndicated comic strips.
Bianca Xunise, left, and Steenz, right. (Courtesy of the artists)Sign up for our newsletter!
Xunise, a contributor to the syndicated strip “Six Chix,” which is shared by six artists and published by King Features Syndicate, has gained attention for autobiographical cartoons on topics ranging from racism and mental health to goth fashion and punk music. Their graphic novel, “Punk Rock Karaoke,” will be published in summer 2023.
Steenz, meanwhile, first came to prominence with their 2018 graphic novel, “Archival Quality,” in addition to webcomics and zines, such as Encyclopedia Brown remade with a Black femme protagonist. Later, Andrews McMeel Syndication approached Steenz to take over the long-running comic strip “Heart of the City,” which centers on a young girl named Heart, after its creator, Mark Tatulli, retired.
In Steenz’s version, she’s a middle school student with a diverse set of friends and classmates. Steenz is currently working on a compilation book of their “Heart in the City” comic strips, to be published in spring 2022.
NBCU Academy spoke to Xunise and Steez about making it in the industry, diverse storytelling and creating space for others in the field. The interview has been edited for length and clarity.
GALLERY: “Heart of the City” cartoons appear courtesy of Steenz and Andrews McMeel Syndication.
NBCU Academy: What was it like becoming syndicated comic strip artists?
Steenz: It was very stressful at the very beginning. That’s a lot on someone’s shoulders, to be one of three Black femme people making syndicated comics, ever, in the history of comic strips. I was sweating at my computer, like, “Oh my god, I’m supposed to be representative of an entire ethnic group.
” But I did have the opportunity to talk to Bianca Xunise and Barbara Brandon-Croft [who became the first nationally syndicated Black female cartoonist in 1991] about how scary it is. Also, we’re all in it together. I remember for my launch, I got emails from the [African American] creators of “Jump Start” and “Curtis,” that were like, “Welcome to the family.” That alone made all of my insecurities and stress completely vanish. I grew up reading their comics. To have them embrace me so quickly was really, really lovely.
Bianca Xunise: I’ll be honest, sometimes I do doubt myself. I definitely thought [a comic strip] is something I would do later in my life, and then I’m like, oh wait, this is a good time to start doing something like this on my journey. Some say I’m not prepared enough or seasoned enough or have enough Instagram followers or Twitter followers to be a credible artist. But what makes me a credible artist is that I make art. I think that’s what makes anybody a credible artist.
GALLERY: “Six Chix” cartoons appear courtesy of Bianca Xunise and King Features Syndicate.
Are your comic strips autobiographical?
Xunise: At this point, [my “Six Chix” character] “little Bianca” has kind of become like “Cathy,” where sometimes they’re true, sometimes they’re fictional, sometimes they’re wacky scenarios I decided to put myself into. It will range from stories about me, stories about my moms and then just random political things.
Steenz: Pretty much everything in my life culminates into these characters. Brent, one of my favorite characters, is that annoying, weird kid who really is into anime. There’s always that super weedy Black kid in every class, wearing one of those flame polyester button-downs, and all he wants to do is talk about who can beat Goku. This archetype exists everywhere, everyone has met this person, and yet I don’t see it anywhere in media.
I could not name a single character that acts like that. So I was like, I’m bringing that in.
I’ll have to remember to post about this tomorrow but a major character in Heart of the City just tried to come out to her friends today. So that’s cool that I could do that! pic.twitter.com/l39VIlkZCR
— Steenz! (@oheysteenz) September 19, 2020
Steenz, your comic strip has characters rarely seen in any other comic, like Lee, a Black girl who wears hijab, Charlotte, a Black girl with two moms, and Kat, a biracial girl.
Steenz: When I first got the gig, Bianca Xunise was the only person to ever ask me what it’s like writing a main character that’s white. And I was like, I don’t know. The assumption is that it will be easier for me to write someone who was Black, because I’m Black. I definitely had that thought, of “What am I doing here?” If I’m going to be the one to create these characters, and figure out the landscape of this universe, I want to make sure that what I’m doing isn’t unrealistic.
A recent storyline has Heart literally getting “invited to the cookout,” making that Black Twitter phrase a reality. What inspired the barbecue storyline?
Steenz: I like that’s what’s in the zeitgeist — if you’re “hangable,” if you were “invited to the cookout.” But also, white people just don’t think about being white. Heart, the main character, can be used to mirror the experiences around her. She’s not the one with two moms, but she gets to understand how to interact with someone with two moms. She’s not mixed race, she’s not a person of color, but she can ask questions and be crazy and still do things right, and also still make mistakes as well. And I don’t like reading about stories where trauma happens, you know? There’s a reason Covid is not happening in my comic, because I don’t want to deal with it. I don’t want to write about Charlotte getting “hate crimed,” I would rather write about Heart realizing “Oh, yeah, I’m the odd one out here.
” There are ways to talk about tough and complex issues, without making it exploitative, in a way that’s light-hearted but real.
“Six Chix” courtesy of Bianca Xunise and King Features Syndicate.
Bianca, your “I Can’t Breathe” cartoon for “Six Chix” made national headlines in 2020. How do you look back on that experience?
Xunise: This is going to be something that will probably follow me and be this tent pole in my career. I knew with an analog medium like newspaper comics, it was going into people’s homes and they couldn’t just turn their computer off. They had to look at it in their face, physically. I will say it probably took a year to fully process that entire experience. I stopped drawing as much, I started to feel a little insecure about making strong points and I even took some time off on my strip. But it’s also a trial by fire situation where I feel stronger for it.
My first comic that really made a big deal was the “Say Her Name” story that won the Ignatz [Award for Promising New Talent] in 2017, and it was another story about racial violence, racial tension, police fatalities. This one “Six Chix” panel was able to do what that entire comic did. I’m grateful that people connect these strong stories with me.
You both teach cartooning classes. How else do you try to bring others along into the field of cartooning?
Steenz: It’s all about visibility for me. It took me visually seeing another Black female doing the work for me to have my entire life changed. I always say yes to panels, yes to interviews, because I want to make sure that whoever is looking at the interview sees me. Then maybe kids will end up in a cartooning class saying, “I want to be like Steenz.”
Xunise: My work can be a little safe for everyone, very PG-13, so I try to get some people doing Rated R stuff in there.
I don’t want another Bianca, we have a Bianca. We need more variety of artists. It’s important to not just have one voice represent an entire community of people, but for the longest time it was just Barbara Brandon-Croft and [“Boondocks” creator] Aaron McGruder and a couple of others. It doesn’t mean there’s less jobs for other people, it just means that there’s more voices, that’s it. Pick the voices you want to listen to, like we’ve always done, and then go on with your life.
A few tips for those who want to make their first cartoon / All about design / Pollskill
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Hello everyone, my name is Fokusu and I am learning how to make cartoons on my own.
Here you will read tips for preparing yourself for the path of the multiplier (these tips are primarily for myself). But don’t prepare too long! Otherwise, you will forget what you were preparing for and miss the coolest part of your life — a jump into the unknown.
Background
I’m 25, I didn’t study art in my time, and now I regret that I didn’t get a base in the tradition. I studied all graphic programs as needed for the last 5 years, when some orders fell, and basically worked as an administrator in coworking spaces. Often she was a worker of all trades, such as an admin-designer-copywriter-smmschik-painter-carpenter.
When I left my job a year and a half ago, I was asked what I would do next. I replied that I wanted to write and draw, and they laughed at me and said that I had to choose one thing.
For the first three months, I made a mess in my head and convinced myself that there is a job where you need to write stories and draw pictures.
I tried to find my own style in illustration, reviewed a bunch of creative mind-set videos and suffered from the fact that there was no use and profit from me.
One day I listened to Dzivia all day, and I liked the album so much that I drew a picture, which later grew into a small project «Dashes». I posted my work on Instagram, where only acquaintances are among the subscribers. According to the principle «listen to a song, draw a picture», I drew everything that came to mind. At some point, I realized that drawing static pictures is boring, and I tried to revive them a little.
In parallel with this project, I finally caught up with what I want from life. I want to draw cartoons. Not just doing storyboarding and animatics, but being involved in the full cycle of cartoon production, from pre-production to release (I realized this a little later). But I had no idea where to start. I was given the entire Internet of the world, and I began to randomly search for articles and videos on the topic «I want to draw cartoons, where to start?».
Due to the fact that I did not piss and posted my work on Instagram, not claiming either new clients or recognition, I received the first order for an animation clip. Six months later, I made the second cartoon in my life. The first cartoon was the first project in which I became both a director, a screenwriter, a storyboard artist, a designer, and an animator. I like it. I felt that I had found myself.
1. LEARN ENGLISH . In a year, I reviewed and re-read hundreds of millions of videos and articles on topics related to animation, and almost all of them were in English. It’s hard for me, but there is a Google translator and dipl. The only thing that is still out of reach for me is podcasts, but I didn’t find (or maybe I didn’t search well) podcasts about animation and animation.
2. CORRECTLY USE YOUTUBE ARTICLES, BOOKS AND LESSONS. Check that the versions of the program you are working with (yours and on the video) match, be it blender, photoshop or something else.
Sometimes plugging occurs because your version of the program is updated, and the YouTube version of the lesson cannot show the new interface features. Try to search for articles in the language in which country the topic is most developed. By the time the changes reach Russia, the information will have changed twenty times.
3. SORT THE INFORMATION. Save videos on YouTube by folders, in browser bookmarks by topics and on your computer by projects. For example, save AE tutorial videos separately from cartoons or Blender tutorial videos. References are separate from motivating pictures, animation books are separate from traditional books. So you can easily find the information you need and quickly return to the article that you need on a specific topic.
4. SET GOALS. My goals do not seem sky-high to me if I write out a plan for the year ahead. Even if you are not very confident in your abilities, set two goals: the ultimate, cosmic, and the one that will be minimal.
Last year, in July, I set a minimum goal: to make the first cartoon of any kind before the age of 25. This was the minimum requirement for myself. Now it’s July again, and in a year I made two animated videos for musicians. Herself, from start to finish.
Now I need a new target. As a maximum, by the age of 27, I plan to become a laureate of the Annecy Festival. At least, in the next year, make a music video for a foreign artist.
5. CREATE PROJECTS. The easiest way to learn: studied the material — made a small project , consolidated the material covered. I don’t always stick to this rule due to lack of sufficient discipline, but I try to do it because it works.
I read an article on composition — sketch a stud. I watched a video about effects in Aya — make a little animation.
6. DO NOT FEAR. No one will beat you because you did something wrong. Firstly, most likely, none of your acquaintances understands anything in animation and illustration, they will admire everything that you can do, even if you know almost nothing.
Secondly, someone who understands something will understand that this is your first job, and maybe even give you a couple of practical tips. Thirdly, the powerful of this world don’t give a damn about you at all. Each of us, novice cartoonists, is not even a grain of sand in the desert.
7. DON’T BASE ON THE OPINION OF OTHERS. As I said in paragraph 6, none of your acquaintances knows anything about animation and illustration. Therefore, if you think that their opinion about your work is important, you will not get very far in anything. But this does not mean that you should be arrogant and not put their opinions in anything: if even a non-professional understood your idea, it means that you did a good job.
You can think of a thousand more tips, but what’s the point if you suddenly give up. Therefore, I have the latest and most important advice:
DON’T GIVE UP.
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80 catchphrases from Soviet cartoons
«Kitten named Woof»
« Return of the prodigal parrot »
1) Tahiti, Tahiti… We have never been to Tahiti! We are well fed here.
2) Freedom for parrots! Svo-bo-du in-po-ga-yam!
3) Rested — in! Sour cream — in! Fish — in!
« Adventures of brownie Kuzi »
4) You are my falcon! And granny Yaguli has sugar pretzels! Come back, I will forgive everything!
5) — And what about pies?
— A with a surprise.
6) You have your own fairy tale, and I have mine.
Brownie Kuzya
7) — Oh, byada, byada. Devastation. Stocks are not measured. Losses are not counted. Let’s go broke in the world.
— What is this, a fairy tale?
— This is how life is.
8) — They say that you are happy?
— They’re lying!
9) I’m not greedy, I’m homely!
10) Happiness is when you have everything at home.
11) I am a free bird! Wherever I want, I fly there!
12) Nafanya, the chest was stolen!
13) Kuzenka! Come back, my yacht!
« Winnie the Pooh and all-all-all »
14) It is not very polite to leave the guests as soon as you have eaten.
15) No one can be sad when he has a balloon!
16) — And this is all because someone’s doors are too narrow…
— No! All because someone eats too much!
17) — I thought and thought and finally understood everything. These are the wrong bees!
— Yes, well?
— Completely wrong! And they probably make the wrong honey…
18) Who visits in the morning, he acts wisely!
19) It looks like it’s going to rain…
20) — Where are you going?
— I don’t know.
— Then we’re on our way.
21) I am a cloud, a cloud, a cloud, I am not a bear at all.
22) Free of charge — that is, for nothing.
23) Happy birthday, I wish you happiness in your personal life, Pooh!
« Bobik visiting Barbos »
24) — And where does grandpa sleep?
— Yes, over there in the corridor. On the rug. And if he does not obey, then I will be his broom!
— That’s right.
25) Man is a friend to a dog — everyone knows that!
« Bremen Town Musicians »
26) — Eat a dietary egg, daughter.
Or maybe see a doctor?
— I don’t want anything!
« The Adventures of Funtik the Piglet »
27) Tricks are sleight of hand and no fraud.
« Once upon a time there was a dog »
28) I’ll sing right now!
29) Come in, if anything!
“Baby and Carlson, “Carlson is back”
30) And here, you know, we are all playing around with buns…
31) It’s nothing, it’s an everyday thing!
32) Calmness, only calmness!
33) — Believe me, happiness is not in cakes…
— Are you out of your mind? And what else?
34) He flew away, but promised to return…
“Carlson returned” Miss Bok
35) I am a man, anywhere! In full bloom.
36) I’m being naughty. Well, I mean, I’m having fun.
37) Is there still a little jam left?
38) But what about me?.. Kid, am I better? Better than dogs? A?
39) Oh, I’m the sickest person in the world.
..
40) Well, I don’t play like that…
41) Your milk ran out…
, let’s live in peace!
43) Leopold! Come out, you filthy coward!
« 38 parrots »
44) — I have an idea, and I think it!
— Can I think about it a little too?
38 parrots
45) Let’s not say who, although it was a baby elephant.
46) I don’t want to be, sorry, for example.
47) And in parrots, I’m a mountain-a-azdo longer!
48) I can’t think about the same thing twice!
« Wait a minute! »
49) And I’m as hungry as an iceberg in the ocean! And you are as beautiful as a popsicle in summer…
50) We start morning exercises for those who watch us in the evening.
51) My best present is you!
« Three from Prostokvashino » , « Holidays in Prostokvashino «, « Winter in Prostokvashino »
52) You are wrong , uncle Fyodor, eat a sandwich .
.. You hold it upside down with sausage, and you have to put the sausage on your tongue. It will taste better this way…
53) It’s me, the postman Pechkin! Brought a note about your boy!
54) They go crazy one by one. It’s just that everyone gets sick with the flu.
55) How greedy people are to the good of others.
56) In such weather, they sit at home and watch TV. Only strangers roam. Let’s not open the door!
57) Don’t shoot me with a gun! Maybe I’m just starting to live — I’m switching to retirement …
Cat Matroskin, Winter «Prostokvashino»
58) Congratulations, Sharik, you are a dunce!
59) Whiskers, paws and tail — these are my documents!
60) This is an Indian national folk hut — “fig you” is called …
61) Wow! Your mother is being handed over here and there. How far technology has come!
« Cheburashka and Crocodile Gena »
62) We built, built and finally built. Hooray!
63) No, we don’t want to be in a living corner — we want to become… pioneers!
64) Cheburashka, Cheburashka, where are you?.
.. Here I am, Gen, here he is.
« Hedgehog in the Fog »
65) After all, who, besides you, will count the stars?!
66) Still, it’s good that we’re together again
« In the country of unlearned lessons »
67) — Execution cannot be pardoned.
— Execute?! Me?! Ah-ah-ah … for what?
— And for ignorance, laziness and ignorance of the native language
68) — Did the tram run over him?
— He was run over by a loser Perestukin. He solved the problem in such a way that he got one and a half excavators.
« The secret of the third planet »
70) I asked for 400 drops… And here 402.
« Flying ship »
71) Ah, if my dream came true, what kind of life would come then.
72) But I don’t want it, I don’t want it out of convenience, but I want it out of love, out of love.
73) Oh, my life, tin can! Yes, well, into the swamp!
74) I live like a toadstool, but I can fly, and I can fly, but I want to fly!
75) I was walking along the forest side, the devil followed me.
